Nell’alto dei giorni immobili
- Fausto Romitelli

is a small masterpiece closely related to the French School. It follows in the line of the so-called “spectral” scores which radically explore the components of sound (those revealed in the acoustic spectra), insisting on an extremely complex compositional technique which coexists—in an exquisite, euphonic equilibrium and “immobile” lightness—with rigid mathematical structures that regulate even the tiniest details of the twelve-minute score.