Nalazek, Bartosz

A graduate of the Łódź Film School and the Warsaw School of Photography, he has worked with renowned Polish theatre directors, including Krzysztof Garbaczewski (Symposium, The Peasants, Liberation, A Madrigal Opera, Kosmos,Robert Robur, Macbeth, Kronos, Demons), Łukasz Twarkowski (Grimm: Black Snow, Akropolis, KLINIKEN / love is colder..., Farinelli), Andrzej Chyra (The Magic Mountain), Krystian Lupa (The Trial, Waiting Room.0), Natalia Korczakowska (Berlin-Alexanderplatz), Maja Kleczewska (The Tempest, Oresteia), Agnieszka Olsten (The Basin), Katarzyna Kalwat (A Time to Reap), Bartek Frąckowiak (In Desert and Wildness, Komornicka:The ostensible biography) and Wiktor Rubin (Madget, Down and other elements). 

In 2014 a production of Kronos directed by Krzysztof Garbaczewski won the Best Visuals Prize at the 7th Divine Comedy International Theatre Festival. In 2017 Bartosz Nalazek won an award for the visuals to a production of Robert Robur directed by Krzysztof Garbaczewski at the 23rd National Contemporary Polish Drama Competition. 

He has been director of photography for feature films (The Stand In, directed by C. Nelson, Tell It To The Bees, directed by A. Jankel; Song of Back and Neck, directed by P. Liberstein—main competition of the 2018 Tribeca Film Festival) and the TV series The Artists directed by Monika Strzępka. The series was nominated for the Prix Europa 2017 and the Eagle Polish Film Award. A series of short film s, Making a Scene, made for the The New York Times Magazine and featuring stars like Cate Blanchett, Forest Whitaker, Robert Redford, or Bradley Cooper, won him a nomination for the Emerging Cinematographer Award and Streamy Award (2014). 

He worked with the renowned cinematographer Janusz Kamiński on Steven Spielberg’s film s War Horse, Lincoln, Bridge of Spies and The Post, for which he was director of photography: second unit.