Met, Anna

Stage designer, she graduated from the Academy of Fine Arts in Warsaw. She made her debut in 2011 as the author of stage designs and costumes for the Grand Theatre – National Opera’s production of Wolfgang Rihm’s Jakob Lenz, and later designed sets for Stanisław Moniuszko’s Halka (both directed by Natalia Korczakowska).

She has since regularly collaborated with director Natalia Korczakowska notably on Verklärte Nacht (National Theatre in Warsaw, 2006), The Leash (Polski Theatre in Wrocław, 2006), Electra (Jelenia Góra Theatre, 2008), Zofia Posmysz’s The Passenger (Współczesny Theatre in Wrocław), Solaris. A Report after Stanisław Lem (TR Warszawa), Dynasty. Sclerosis multiplex (Dramatyczny Theatre in Wałbrzych), Lessing’s Nathan the Wise (National Theatre in Warsaw), Mickiewicz’s Forefathers’ Eve Part Three (Dramatyczny Theatre in Białystok), Żeromski’s The Spring to Come (Wybrzeże Theatre), as well as with Anna Smolar (Bullerbyn at Opole Theatre; Pinokio at Warsaw’s Nowy Theatre, 2014; Jewish Actors at Warsaw’s Jewish Theatre; Dybuk at Bydgoszcz’s Dramatyczny Theatre, 2015), Grażyna Kania (Nordost at Bydgoszcz’s Polski Theatre, 2007), and Wojtek Klemm (Maidan Diaries at Warsaw’s Powszechny Theatre). She has also designed sets for productions directed by Ivan Vyrypaev: Illusions (Cracow’s National Stary Theatre, 2012), Gogol’s Zhenitba – Marriage (Studio Theatre, 2013) and Unbearably Long Embraces (Warsaw’s Powszechny Theatre, 2015). Anna Met won awards in the Live Classics Competition in 2015 for Jerzy Andrzejewski’s The Gates of Paradise (Współczesny Theatre in Wrocław) and Stefan Żeromski’s The Spring to Come (Wybrzeże Theatre in Gdańsk).