Commissioned by Warsaw Autumn, it is a study of sound plasticity fluently morphed into different states, simultaneously throughout the form-as-a-process, form-as-a-situation, form-as-an-object, and form-as-a-stimulant. The standard model of building the climax and releasing of tension is exchanged for several maxima of different parameters, which are not directly acoustic but derived from and classified after multimodal, synaesthetic sensations of the composer.

Szymon Stanisław Strzelec